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For centuries, temples and palaces
were the only places where Thailands
fine art was displayed, and it is still true that they are important
repositories of the countrys wealth of classical art.

Thai classical art can be divided into five main eras and several
lesser ones. The five most important are Srivijaya, Khmer, Sukhothai,
Ayutthaya
and Rattanakosin. The first two overlapped and were actually pre-
Thai. The Sukhothai
era followed in the 13th and 14th centuries, the Ayutthaya
era in the 15th to 18th centuries, and the Rattanakosin era from
1782 to the present.
The establishment of Sukhothai
kingdom was a cornerstone in Thai history. The adoption of pure
Buddhism as the national religion rather than the foregoing Khmer
blend of Hinduism and Buddhism, led to the building of a new kind
of Temple.
Sukhothai artisans
turned to Buddhist scriptures for guidance on the forms, dimensions,
and appearance of their temples
and Buddha images. The results convey a sense of peacefulness which
permeates Theravada Buddhism and which characterises Sukhothai
period.
Chinese artisans helped Sukhothai
to produce classical ceramics. Later, they introduced multi-coloured
painting, lacquerwork, mother-of-pearl inlay to Ayutthaya,
and at least some forms of music.
This last innovation combined with Indian mythology and a Malay
tradition of drama to produce a range of musical theatre from khon
classical dance drama to the popular, bawdy likae, or folk play.
The kingdoms treasury of arts can be seen in the magnificent
architecture of temples, their murals
and the many styles of Buddha images; and in the classical performing
arts, traditional music and folk play.
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